17,019 로열티 프리 오디오 트랙들 "Midi Files Of Tone Rows"에 대한

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Hirajoshi scale on C.
著者: Hyacinth at en.wikipedia
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*Bohlen-Pierce two steps on C = D. 32/13 = 292.61 cents. MIDI pitch bend: 81,61
著者: Hyacinth
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The Boar's Head Carol
著者: Melody: from England; setting & sound file: Rabanus Flavus (Peter Gerloff)
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La Rauracienne
著者: Melody: Pierre-Jean de Béranger; setting & sound file: Rabanus Flavus (Peter Gerloff)
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Green Sally Up, Green Sally Down
著者: Melody: Afroamerican; setting & sound file: Rabanus Flavus (Peter Gerloff)
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Beethoven, 9e symphonie, 2me mouvement, partie B au tempo 100
著者: (of the midifile) hautbois
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Fantasiestücke, Op. 12, Nr. 3, "Warum?", by Robert Schumann (4 KB, 1:37 minutes)
著者: Robert Schumann & self
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Backe, backe Kuchen
著者: Melodie:volkstümlich; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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Fantasiestücke, Op. 12, Nr. 2, "Aufschwung" by Robert Schumann (16 KB, 3:29 minutes)
著者: Robert Schumann & self
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Fantasiestücke, Op. 12, Nr. 5, "In der Nacht", by Robert Schumann (21 KB, 4:25 minutes)
著者: Robert Schumann & self
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Major triad on C. Created using Sibelius.
著者: Hyacinth (talk)
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La Cucaracha
著者: Melody: from Spain; setting & sound file: Rabanus Flavus (Peter Gerloff)
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Ten Green Bottles
著者: Melody: from Britain; setting & sound file: Rabanus Flavus (Peter Gerloff)
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Santa Lucia Sul mare luccica (song)
著者: Melody: Napoli, popular; setting & sound file Rabanus Flavus (Peter Gerloff)
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著者: Untitled
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Symphony No. 9, Movement 3, Op. 125
著者: Untitled
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Symphony No. 9, movement 1, Op. 125
著者: Untitled
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Symphony No. 9, Movement 2, Op. 125
著者: Untitled
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Die Piterskaja entlang
著者: Melody: from Russia; setting & sound file: Rabanus Flavus (Peter Gerloff)
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*Just diminished seventh on C = B- (Ben Johnston's notation). 128:75 = 925.42 cents. Limit: 5-limit. MIDI pitch bend: 17,72
著者: Created by Hyacinth (talk) 05:49, 5 January 2012 (UTC) using Sibelius 5.
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*Septimal neutral seventh on C = BLb- (Ben Johnston's notation). 64:35 = 1044.86 cents. Limit: 7-limit. MIDI pitch bend: 45,78
著者: Created by Hyacinth (talk) 19:40, 15 December 2009 using Sibelius 5 with midi bend on Bb on ~51,78.
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*16 steps in 17 equal temperament on C = B♮ (Easley Blackwood's notation). Equal-tempered: 216/17:1 = 1129.41 cents. MIDI pitch bend: 53,73 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on M7 on ~54,73 for 1129.44 cents.
著者: Hyacinth at English Wikipedia
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*Octave (2/1) minus major chroma ((2:1)/(135:128)=256:135), 135th subharmonic on C = C♭- (Ben Johnston's notation). Just: 256/135 = 1107.82 cents. Limit: 5-limit. MIDI pitch bend: 64,66
著者: Hyacinth
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*11 steps in 17 equal temperament on C = A♭ (Easley Blackwood's notation). Equal-tempered: 211/17:1 = 776.47 cents. MIDI pitch bend: 60,56
著者: Hyacinth
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*Bohlen-Pierce scale: interval between C and E, septimal major third on C = E. Just: 9/7 = 435.08 cents. Limit: 7-limit. MIDI pitch bend: 29,75
著者: Hyacinth
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*Tridecimal neutral third on C = E (Ben Johnston's notation). 16:13 = 359.47 cents. Limit: 13-limit. MIDI pitch bend: 4,83 on m3
著者: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 83 for 359.375 cents rather than 359.47. New version a m3 on 4,83 for 359.47265625 cents rather than 359.47.
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*Bohlen-Pierce scale: interval between C and D, semitone maximus on C = D. Just: 25/21 = 301.85 cents. MIDI pitch bend: 76,64
著者: Hyacinth
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*Bohlen-Pierce scale: interval between C and H, greater just minor seventh on C = H. Just: 9/5 = 1017.60 cents. Limit: 5-limit. MIDI pitch bend: 81,69
著者: Hyacinth
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*Acute minor seventh on C = B♭+. Just: 729/400 = 1039.10 cents. Limit: 5-limit. MIDI pitch bend: 66,76
著者: Hyacinth
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*Acute minor third on C = Eb+. Equal-tempered: 2243/200:1 = 337.15 cents. Limit: 5-limit. MIDI pitch bend: 114,75
著者: Hyacinth
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*14 steps in 17 equal temperament on C = B♭ (Easley Blackwood's notation). Equal-tempered: 214/17:1 = 988.24 cents. MIDI pitch bend: 30,60
著者: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on m6 on ~31,92 for 988.26 cents.
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*13 steps in 17 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 213/17:1 = 917.65 cents. MIDI pitch bend: 83,69
著者: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on m6 on ~84,69 for 917.67 cents.
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*Lesser undecimal neutral seventh on C = B↓ (Ben Johnston's notation). 20:11 = 1035 cents. Limit: 11-limit.
著者: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 75 for 1034.375 cents rather than 1035. New version a m7 on 26,75 for 1035.009765625 cents rather than 1035.
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Subminor third on G. 7:6 = 266.87 cents.
著者: Created by Hyacinth (talk) using Sibelius 5.
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*Wolf fourth on C = F+ (Ben Johnston's notation). 27:20 = 519.55 cents. Limit: 5-limit.
著者: Created by Hyacinth (talk) in Sibelius. Midi pitch bend on 71 for 521.875 cents rather than 519.55. New version: A P4 with midi pitch bend on 33,70 for 519.5556640625 cents rather than 519.55.
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*Bohlen-Pierce scale: interval between C and G, just major sixth on C = G. Just: 5/3 = 400 cents. Limit: 5-limit. MIDI pitch bend: 127,58
著者: Hyacinth
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*1 step in 72 equal temperament on C. Equal-tempered: 21/72:1 = 16.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 15.625 cents rather than 16.667. New version a PU on 43,69 for 16.6748046875 cents.
著者: User:Hyacinth
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*Just augmented third on C = E♯. 125:96 = 456.99 cents. Limit: 5-limit.
著者: Created by Hyacinth (talk) 09:41, 15 January 2012 (UTC) using Sibelius 5.
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*Acute minor sixth on C = A♭+. Just: 81/50 = 835.19 cents. Limit: 5-limit. MIDI pitch bend: 33,75
著者: Hyacinth
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bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).
著者: Hyacinth
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bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).
著者: Hyacinth
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A recording that shows the effect of a Shepard tone
著者: Original uploader was Omeomi at en.wikipedia
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bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).
著者: Hyacinth
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bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)
著者: Hyacinth
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Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.
著者: Hyacinth
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Diminished seventh chord to dominant cadence (bo-e7-A7-D).
著者: Created by Hyacinth (talk) using Sibelius 5.
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Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.
著者: Hyacinth
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Vom Himmel hoch, da komm ich her, Evang. Gesangbuch 24; Es kam ein Engel hell und klar, Gotteslob (1975) 138; Dies ist der Tag, den Gott gemacht, Evang. Gesangbuch 42
著者: Melodie: Martin Luther 1539; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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In dulci jubilo (Gotteslob (1975) 142; Gotteslob (2013) 253); Nun singet und seid froh (Evang. Gesangbuch 35)
著者: Melodie: 14. Jahrhundert / 1529; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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Zu Bethlehem geboren, Gotteslob (2013) 239; Gotteslob (1975) 140; Evangelisches Gesangbuch 32
著者: Melodie: Paris 1599 / Köln 1638; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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